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Maserati introduced the Quattroporte, meaning literally ” four-door saloon” at the Turin Motor Show in 1963.
At the time of its launch, the Maserati Quattroporte was classed as the fastest four-door car in the world when launched.
For the Qu
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attroporte, Maserati called for collaboration between Pietro Frua, one of Italy’s leading independent design studios of the time and Vignale their long term coachbuilders .
Having evolved rapidly from a company who only produced all-out race cars to sports-racers to makers of exotic sports cruisers, Maserati had now turned to a four-door sedan.
Yet the Qu
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attroporte was far from being a run of the mill sedan, but a four-seat GT near-supercar, with Pietro Frua having created with an intriguing collection of curves and angles.
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The Quattroporte’s cabin was roomy and tall, offering considerable leg room for the driver and up to four passengers.
Visibility was excellent, thanks to Frua’s design based around a tall cabin with a very sizable glass area, causing the model to sometimes described as “ the Greenhouse”.
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A split grille held the usual Maserati trident in its centre, in a protruding front end.
Models destined for Europe initially were fitted with rectangular headlamps while later versions (especially those exported to the U.S.) came with quad round headlights.
Maserati i
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nitially launched the Quattroporte with a 4.2-litre V-8 fed by four Weber carburettors, enough to generate 260 bhp matched up to a five-speed gearbox.
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This combination was rapidly discovered to be sorely underpowered, far from capable of powering the bulky and heavy Quattroporte. It was replaced by a 4,719 cc V-8 engine with quad overhead camshafts that generated around 300 bhp to give top speeds of about 150 mph (240 kph).
Down below was a tubular and box-section chassis, with all-disc brakes. A De Dion rear axle was installed at first, although this configuration proved troublesome in operation.
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By 1966, the axle had been replaced by a conventional live axle with semi-elliptic springs.
Maserati s
tarted a new trend in Italian exotica with its Quattroporte of 1963, providing a reasonable alternative to the more sedate Mercedes and Rolls-Royces that had traditionally dominated the market for luxury saloons,
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The saloon supercar concept, combining luxury comfort with superb performance, was a theme that would be later adopted by Lamborghini with their Espada and Ferrari with the 365 GT4 2+2.
Despite being out on a tangent, the Quattroporte even succeeded in attracting some very prestigious owners, with the best know of them Prince Rainier III of Monaco.